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- May 16, 2017
Senior Music
SENIOR MUSIC BY MERYL JACKSON-KEW, ALEKSANDAR VUJIC A comprehensive resource textbook for Elective Senior Music. Senior Music is a collection of music pieces that are suitable for music study in years 10, 11 and 12. It has been designed for the New South Wales Higher School CertificaMusic Performance Skills Research
Dear Music Teacher, My name is Anneliese Gill. I am a music teacher and am currently undertaking a PhD in music performance psychology at the University of Melbourne. I am inviting you to participate in an online music performance skills program with your adolescent music students. ThAustralasian Piano Pedagogy Conference. Adelaide. 2017
Dear MTA colleagues Australasian Piano Pedagogy Conference, University of Adelaide, July 10th – 14th 2017. Please note that the closing date for Early Bird regular and student rates is May 1st. Full registration rates will then apply. I refer you to the attached flyer for the broad ouAustralian Copyright Council Seminars
The ACC’s upcoming seminar series Understanding Copyright, will be in Adelaide June 19 – 20 at the Tandanya gallery on Grenfell street. Please find attached our Adelaide brochure detailing session topics and times. If these details can be circulated to any of the team at the Music TeaLittle Lev Piano Festival – Tickets on Sale
Dear friends & colleagues, As you may know, applications have now closed for the 2017 Little Lev Piano Festival. We’re pleased to report that 18 outstanding young pianists from around Australia have been selected to take part in our series of Advanced Masterclasses, kicking-off in
ADVICE FOR PIANISTS: PIANO LESSON MYTHS, PART 1
by Howard Richman Piano lesson myths are so ingrained into our culture and our consciousness that it almost seems silly to counter them. But on close examination, even the most ‘obvious’ beliefs about piano study and piano practice are not only wrong, they are damaging to the individu
THE HEART OF TEACHING ART
by Pete Barter, ETI_Music Be it theatre, film, performing arts, dance music or creative arts, being an art teacher does not only mean having the requisite academic qualifications but also the innate attachment and devotion to art that will enable students to have a good learning exper
THE MUSICAL BODY: BIOMECHANICS AND EMOTION
by Norma Knight and Pat. H. Wilson It’s rumoured that Victor Hugo once said ‘Nothing is stronger than an idea whose time has come’. South Australian MTA members will have noticed an idea enjoying some currency lately which pairs biomechanics and music. An article by Rosslynn McLeod in